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There must be more I can do to advance the cause of healthy feminist kink, but, as Trinity knows, it’s impossible to ignore the incredible vitriol and anti-kink rhetoric coming from radical feminists like Nine Deuce. I never go to those pages on my own, but I’ve gotten back to the blogrolls lately, and there have been more links to that space on Let Them Eat… It becomes impossible to ignore after a while, like a train wreck you can’t look away from. It’s relatively easy for me to ignore the insane right wing – not because I don’t think they have influence: they have a terrible amount of influence in this country. But they’re big and they’re a constant target of their polar opposites on the left as well as of reasonable people throughout the land, and I don’t feel much of a personal responsibility to battle them on a daily basis.

Feminists, though…well, they’re supposed to be on my side, right? I’m a woman, I’m a feminist, I see and experience oppression under the same patriarchal systems of power that they do, yes? Yet it seems to be the job of these particular wingnuts to invalidate kinky women’s experiences, undermine our sense of agency, silence us and rail against any type of education that might give us some other perspective than “BDSM is bad. Reallllly baaaaad.”

We know all this. I know all this. And it may be a sign of my own masochism that I keep feeling the need to dip my toes into these discussions and wait for them to get torn off by crocodiles. It’s probably long since time for me to quit it, since I’m increasingly surrounded by 8- and 9-toed peers who keep braving the waters as well.

But as anyone who knows me well knows, if you want me to shut up and leave you alone, there is one damn thing you don’t do. And that’s attack people I care about.

The short version: Orlando dives into the soup, like he does. (I think his toes are still intact, but his whole body’s poked full of holes.) After getting his left brain chewed on for offering facts and studies by women who’d rather he shut up if he can’t provide personal experience, then getting the other cheek slapped for daring to provide the “anecdotal evidence” that their own arguments so often rest on, and other bits of his head ripped off every time he tries to understand and be civil, he finally responds from a place of hurt and exhaustion having spent most of the previous week in the hospital caretaking his wife, who has aggressive cancer. He pours out his soul and implores these people he still considers intellectual peers and reasonable people to have compassion for the real human beings we’re talking about when we talk about this subject.

And they accuse him of using his wife’s cancer as a manipulative ploy to score points on the Internet.

Now, I don’t know Orlando in real life, though I came close to doing so and hope to meet him and his Murre – may she be whole and healthy and strong again – before long. But his voice is one I respect mightily and am wholly moved by regularly, and I’ve come to have a serious affection for him and for Murre both by extension and by direct contact.

In some ways, I have a purer affection for them both than I might if I knew them, as I still know them only as they present themselves online, and not as who they truly are, warts and all. I daresay many of us have similar online relationships, and are similarly protective of them.

And so I just want to give a shout-out to the blogosphere at large and say this:

Do not. Fuck. With people I care about.

To Polly, Nine Deuce, Joan Kelly (a “passive-aggressive liar with a martyr complex”?? Really??), Laurelin, and the rest of you who jumped in to kick someone already in pain in the guts: how dare you. This is not some troll trying to get you in a twist by jumping in with stupid counter-arguments. This is a thoughtful, careful, real human being who is doing his best to give you the respect he somehow continues to assume you deserve even as he is in disagreement with you. This is someone who consistently, throughout the time I’ve been reading him, has made an honest attempt to engage you in discourse and given you ample opportunity to get to know him. And when in his frustration and exhaustion he finally stops beating his head against the brick walls of your own anger and pain and shows you his throat, you don’t hesitate to step up and slit it.

You cruel, twisted fucks. And you dare to say that what consensual kinksters do is evil.

Fuck you. Fuck you right in the ear, until you learn how to think a bit better about who deserves your compassion.

(Sorry, Orlando. I had to.)

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Okay, admittedly, I’ve often heard questions about how to do play without marks. But I’ve rarely received the reverse. But there’s a first time for everything.

Dear Delilah,

I really like it when my partner leaves marks on me that last a few days, so that I can look at them as they fade and reminisce about the fun we had making them. However, my pain threshold isn’t terribly high and often it hurts too much before we get to the point of bruising. Can you recommend hitting equipment that would be more likely to leave marks? So far we’ve been improvising with hands and belts.

Thanks for your help,
N.

Hey, N. Marks are kind of awesome, aren’t they? A lot of us seem to spend a lot of time and energy avoiding getting them for one reason or another: our partners might get upset, the cashier at the grocery story might think we’re getting abused at home; there’s this doctor’s appointment…but the truth is, for some people, marks are exceedingly powerful and enhance and extend the life of our scenes.

But marks are often also a sign we’ve been through some serious pain; I had some cane marks on my thighs from two weekends ago that spread into huge, purply bruises that lasted nearly two weeks, and let me tell you, earning those HURT.

There are ways, though, to get bruises and other marks without enduring too much.

1. Be in a heightened state of arousal. Often, when I’m done with a certain someone, I have these mysterious bruises on my inner thighs, and sometimes a couple of smaller ones on my outer thighs, too. With a bit of thought, I realized that these were coming from my partner holding, pulling and squeezing my thighs while he’s fucking me. Thighs are pretty easily bruised in general, and yet also have a lot of fatty tissue to protect them; they’re also a good place to get bruised if you want to hide your marks from the everyday world. It’s worth noting that I never notice these injuries as I’m receiving them, only the bruises afterward, which make me smile. Other marks may be possible in the throes of passion: you may find you can take harder bites and harder squeezes (the upper arms are a great place for this) when you’re really turned on and in the moment.

2. Biting. Biting can really really hurt, but it can also be one of the easiest ways to leave a mark. If your partner sucks while biting, or squeezes the flesh between the teeth rather than pressing down with the jaw (a good way to bite hard without leaving marks, btw), you can get a nice mark from it without too much pain. If you don’t want to take biting pain at all, hickeys are another great option: just have your partner clamp on and lamprey away.

3. Brief moments of extreme pain. You’re not going to have a lot of luck leaving marks with bare hand slapping: you have to get really really going before bruising or other lasting marks can happen, and by then you’re probably tapped. Here’s some general rules about marks: 1) you’re more likely to get bruises from thuddy things than from stingy things; 2) the thinner the object, the more likely you’ll get surface welts. So if you want marks but find your pain tolerance lacking for a long session, another option is to put up with a lot of pain just once. A hard cane strike hurts like hell but stops hurting in about 30 seconds. You get a beautiful welt that may or may not bruise. A hard punch (in the buttocks, thighs, upper chest or upper back, please), particularly a dirty one with the knuckle out, will probably raise a bruise and will hurt for a similar amount of time, then have a yummy soreness when you press it for a few days.

Hopefully this helps. Let us know! Send pictures!

To ask a question, email me or comment here!

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This week’s question is a doozy, and it comes at a time when I’ve been thinking about the topic of identity a lot. A big post is in the offing about shifting identities, switching, genderfuck, orientation, and a whole bunch of other shit that I found myself navigating this past weekend. But now, to the question.

Dear Delilah,

In the kink scene, we tend to get attached to certain identities – top, bottom, dom, switch, sub, master, slave, crossdresser, straight, bi, queer, and on and on. Sometimes these labels start to feel confining over time, though. What advice would you give to someone who is starting to feel that an old label might not be fitting them so well anymore, but isn’t sure they want to embrace a new one? How related are identity and behavior? How do you communicate the right information to the right people?

Boy, did you ask it. A snarky part of me wants to say, “You sure that’s enough? Anything else??” Because jeebus, this is a big question, and it’s probably going to take me several posts to address it with anything approaching completeness.

But I’ll take a first stab at it.

Others might disagree, but I tend to think that identity and behavior are very strongly related. I just happened to listen to an episode of Dan Savage’s podcast today, on which a lesbian called him out for saying that anyone can identify any way they want, even if they are a woman in a relationship with a man who wants to call herself a dyke. The caller said that such a person “doesn’t get” to call herself a dyke. Dan respectfully disagreed and said that yes she does, but the caller of course has the right not to believe her.

I for one think it’s absurd when someone is so attached a particular identity that they insist on hanging onto it for dear life even when their actions indicate a different identity. If it’s an exception to a general rule, that’s one thing: I would never say that a butch who femmes out from time to time shouldn’t call herself butch, or that a straight man who wants to touch someone else’s cock once in a while must identify as bisexual. But I don’t think that a woman who is happily married to a man can really sincerely continue to say that she’s a lesbian. Or rather: she can feel free to do that, I’m just not going to believe her.

On the flip side of this, though, is the closeted gay man who’s married to a woman and has fourteen kids. His actions strongly indicate a straight identity – which, after all, is what he is desperately trying to promote. That doesn’t mean that he is not gay. However, it once again shows the strong relationship between identity and actions.

Identity, after all, is mutable, and it’s a tool. People talk about and use identity as a way of presenting themselves in the world: I have a bisexual identity, you have a black identity, he has a gay identity, she has a Latina identity, and so on. Your identity is a combination of who you are, and how you want to be seen. Some aspects of identity cannot be changed: an African American person is 99% of the time visible as such, and so will be seen as such regardless of how deeply that person decides to embrace and promote that identity. Some racial identities must be more actively constructed: not every Hispanic person “looks” Hispanic, and not every person of Latin American descent identifies as Latino. Sexual orientation can also be immutable, as in some gay people who knew from the time they were five years old. Or it can shift over time, as the bisexual who later realizes she’s functionally a lesbian, or the lesbian who gradually opens to the possibility of male partners.

And so on. But another part of identity is decided upon by the individual. That visible African American may grow up in an immediate culture that is mostly white, and grow up queer and kinky. That person may feel more resonance with a queer kinky identity than he does with his black identity. This doesn’t mean he stops being African American (and dealing with all that that brings in this culture); just that it’s not the part of his makeup that he emphasizes. That closeted man from the example above may finally come out, at which point he had traded his straight identity for a gay one.

One of the dangers of shifting identities within the kink scene, of course, is that people will just think you’re flaky. If you’ve been in the scene as a straight female submissive for like five years, and suddenly you demand to be addressed as Mistress McToppyDomme by all the women you’re hoping to fuck, that can cause some spinning heads, and like Dan Savage’s caller, you might not be believed. But one of the advantages of the kink scene is that you can enact those aspects of your identity you want known in public, so that over time, people who may have seen you one way will begin to see other possibilities.

Which brings me (finally) to my advice: if you’re tired of a given label, if you feel your identity is shifting, then simply act on it. Be the change you want to see in yourself, to paraphrase. If you want people to know that you’re not just that one thing that everyone thinks you are, then do other things in front of those people. Even better: suggest that you might like to do those other things with those people. Start with people you already trust, who know you well and will have your back. And if you don’t feel the need to take on a new label, but simply to softly shed one you’ve outgrown…then go naked for a while. Humans are great at labeling – too good, in fact – and if you need a new one, I’ve no doubt it will appear.

[Note: for those of you who watch Lost and haven't yet reached the Season 5 episode "He's Our You" - SPOILER ALERT - READ NO FURTHER!]

I’ve mentioned in this space before that I have a thing for interrogation scenes, and that that fact scares me a bit. In fact, the more I’ve gotten into them, the more uncomfortable watching them on TV is, and I’m not sure if it’s discomfort in a good or a bad way.

But last night I was just delighted to watch an episode of Lost in which the always-yummy Sayid gets shackled to a tree and fed a truth serum. What starts out as something really frightening quickly turns into something almost goofy: they don’t beat Sayid or even treat him all that roughly, though there’s a marvelous physical reference to the way Sayid tortured Sawyer in the first season, when the leader of the Dharma Initiative pulls out a pair of shears to cut Sayid’s handcuffs off. (“Put out your hands,” he says, and the alert viewer recalls the way Sayid put that same instrument around Sawyer’s finger and threatened to snip it off.)

Instead the interrogator – the magnificent William Sanderson of Blade Runner fame – tells the others to open Sayid’s mouth, and puts in a sugar cube onto which he’s dropped some kind of drug. Sayid’s resultant confession is wide-eyed, soft, and reminiscent of someone on Ecstasy. “I come from the FUTURE!”

Oh, how awesome. I definitely have some guilt at times for enjoying those kinds of scenes, but I feel a bit let off the hook when they turn out like this.

It’s been a while, as I haven’t had a backlog of questions. (You people are obviously just too well-adjusted. Or you think my advice stinks. Or something. Anyway!) I have a new question this week that’s fairly simple, but may send me off on a tear about the topic anyway. So here goes.

My partner and I have discovered that we love it when he puts his hand around the front of my throat. Is there a way to do this that is safer than any other way, in terms of placement or pressure? We’re not trying to restrict air or bloodflow; it’s just the symbolism of it.

So, knowledgeable questioner: you obviously already know that restricting either airflow or bloodflow can be dangerous, and in fact, there’s no “safe” way to do it. Does that mean I don’t do it, or don’t think anyone should? Hell no. It just means that it’s all about managing risk, rather than believing that you’re being safe. I saw an amazing presentation on breathplay in all its permutations by Lee Harrington some years ago, and that was the main message I took away from it.

What you’re doing, though, is much less risky, though I would advise you to look more deeply into the risks as you go forward, because we all know how these things can escalate. As far as simply placing a hand around the throat, though, here’s some things to keep in mind.

First off, don’t press hard or squeeze. If the symbolism is all you’re after, there’s no reason for him risk entering into actual choking. If you’re doing this as part of vigorous sex, watch out for him being on top and putting his weight on that hand, or you on top and leaning into his hand, both of which will put more pressure than you want or may even be aware of in the heat of the moment.

Second, get the placement right. The temptation when putting a hand on someone’s throat is to place the palm over the Adam’s apple and squeeze a little with your fingers. This position very easily tips over into the two things you want to avoid: airway and bloodflow restriction. Just a little pressure on the larynx can begin to restrict airflow, not to mention that the trachea is fairly easy to crush. This type of choking is also much more unpleasant in general than the bloodflow-restricting kind, as it causes a choking feeling in the throat and can easily initiate panic – for good reason. The fingers at the sides of the throat, on the other hand, can begin to restrict carotid artery flow – the blood going to your brain. This is what causes that floaty feeling that eventually leads to fainting – a very high risk type of play.

But that position, done very gently, can feel very protective, loving, and controlling without any pressure at all. Save it for times when you’re not also engaged in anything vigorous that might distract him from how much pressure he’s applying.

A safer and still symbolically strong position goes like this: Hold your hand up in front of you with the fingers together and the thumb out (your fingers and thumb will make an “L”). Now put the crook made by your fingers and thumb against your throat, directly under your chin and above the larynx. Your fingers and thumb should point upward, lying along your jawline. From this position, you can press upward with your whole hand, creating a feeling of control and force without actually putting any pressure on dangerous points. Do not squeeze the hand together, as this will cause the same problem of putting pressure on the blood vessels at the sides of the neck. Do this to yourself, and then teach him to do it.

Remember: pretty much any type of BDSM play is going to involve a certain amount of risk. This is why I prefer the RACK (Risk-Aware Consensual Kink) system to the SSC (Safe, Sane and Consensual) system: I don’t really believe that any kink, or any sex for that matter, can be completely safe. (I prefer the term “safer sex” to “safe sex” for that reason as well.) Then again, why do we do these things if not for the thrill? Besides, skydiving, playing sports, and driving your car carry far more risks than BDSM. I often think that some people do kink – and extreme sports – because we live in a way that our ancestors never dreamed of, and that is almost entirely without physical risk. Or rather, there is risk, but not in a way that we’re consciously aware of in the moment. (You’re probably driving on the highway daily and inhaling enough pollutants to kill you in thirty years, but when was the last time you were chased down by a tiger?)

Which reminds me: if you haven’t seen David Cronenburg’s Crash, you should.

And if you have a question for me, you should comment here or email me!
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Identity management

Sorry for the long hiatus; holidays, Martian death flu, and all manner of other drama have kept me from this page. Hoping to remedy that and crank out more regular material.

Ages ago, a friend asked me how I manage privacy online. See, I have a few online identities. Some things I write are public, some aren’t. Some are under my real name, and some under this one. Some I write in a place where anyone can see it, unless I lock the post so only friends can see it. But what made this question interesting for my questioner was the fact that sometimes, I write under my real name about the same topics I cover here.

So what’s the deal? How do I decide which parts of me are public and which aren’t?

It’s probably telling that I received this question in October and still haven’t answered it.

Recently, I kind of figured out the short answer to this: as my real name, I write about topics pertaining to sexuality and relationships; as Delilah, I write about topics pertaining to my sexuality and relationships. There’s a third problem, too: there are aspects of my relationships that I consider so private and precious that I don’t even write about them here – particularly because I know that so many of my readers know me in real life. I’ve therefore published erotica under still another name, and blog in total secrecy (nobody knows the username but me) about the deepest stuff.

It’s probably also telling that I feel the need to have all of this material out there, even if nobody ever reads it or knows that it’s me writing it. What can I say: I’ve been a journaler and a maker of stories for as long as I can remember, and when I don’t write down what’s happened to me, the intensity of my experiences (which often, surprise surprise, are in the sexual realm) slip from my consciousness quickly. It’s long been important to me to have a narrative of my life, something to look back on so I can see where I’ve been and remember what’s happened to me.

My friend asked whether it ever gets weird when worlds collide: like if people I know socially start buying videos from my site, or people who have seen my writing assume things about me before meeting me. The answer to this is “sort of.” This has actually occurred a couple of times just in the past weeks. Someone who knows me socially contacted me in my capacity as Delilah for some kink consultation in person. And someone who found my writing under my real identity contacted me and seems to be assuming, because I’m poly, that I would want to meet him.

Neither of these things is “weird,” per se, but it has been and continues to be a kind of tightrope walk, figuring out what I want the whole damn world to know and what I really would rather only my friends know and what I need to write about so that someone will read it, but nobody needs to know that it’s me writing it.

I’m a great admirer of Maymay in this regard (as in many other regards), in that he has the flaming gonads to be completely out online and in every other area of his life. But even he remarks that he doesn’t write very much about the literal ins and outs of his own sex life. He’s about half a generation behind me in age, and I’m sincerely hoping that his bravery and forthrightness is a sign of things to come. For my part, though, I still can’t deal with the idea of my family finding out that I was a sex worker. I’m not sure what that says about me.

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I saw The Slutcracker a couple of weeks back, for its second annual run. For those of you unfamiliar or reading from your RSS feeder at work (naughty, naughty; I love it), The Slutcracker is a burlesque version of the classic Nutcracker ballet; a filthy fantasia of dirty old grandmothers, vibrator princes, stripper queen fairies and Bacchanalian beauties.

Burlesque has seen a massive revival in the past ten or so years, and has been widely hailed as a celebration of sex-positivity and expressive sexuality on women’s terms. In its original days, burlesque was home to women of all shapes and sizes, and big girls were all the rage. These days, the nouveau-burlesque troupes are tooting that horn again: the women in this production are thin and flat chested, fat and curvy, athletic and supple, and everything in between. The big things they have in common are talent, and an enthusiastic engagement with the work they’re doing that you’ll rarely see on a stripper bar stage. One of my favorite moments was watching a bevy of women do a Busby Berkeley move, forming a circle facing outward and spinning. I could not believe the incredible variety of breasts that passed my eyes, all wearing identical pasties. Not to mention the massive, genuine smiles.

All this being said, I find myself somewhat discouraged by the burlesque revival as I’ve so far experienced it. I’ve not seen many shows, but the ones I’ve seen have a major thing in common that I find distressing, and yet which largely explains the revival’s mainstream success: male sexuality is still wildly underrepresented, and the female sexuality presented is largely for the benefit of the male gaze.

It must be difficult, I imagine, reviving an old form, comedic and sexy as it is, and changing too many of the rules. But I couldn’t help but notice that in The Slutcracker, the first year I saw it, the few men involved either kept all their clothes on, or, if they stripped at all, did so only to comedic effect. This year, there was a nice concession to those of us who might want to see something different: two tango couples emerged, then switched partners so that the men danced together and so did the women. This, to me, was the sexy highlight of the show this year: the two men were both masculine and beautiful, shirtless with pasties (fairness!), and their plain sexual tension in the dance was not played for comedy. (It is notable, however, that they also put a female dancing couple on the stage so that the straights wouldn’t be too put off.)

Every other moment involving a man, though, was: even the romantic Slutcracker Prince – essentially a life-size Rabbit Pearl vibrator in a tacky pink tuxedo, complete with ruffles – never got down to skivvies or did anything other than present Clara as the object of the gaze, just as in classical ballet. And the other men were basically buffoonish – if very funny – stereotypes of straight guys ogling the women.

Now, granted, these stereotypical characters are shown as insensitive, and only are rewarded in the end when they are able to open up to their women’s broadened sexuality. But as yummy as the huge pile of women of all sizes and shapes (with a few guys) at the orgiastic curtain-call was, it was still frustrating to see the same tropes play out as they have for centuries: women are for looking at, men are there to look. (Men who are there to be looked at, of course, are meant to be looked at by men.)

The few moments of queerness in burlesque that I’ve seen, other than the tango described above, have been disappointing: I was very put off when I watched an apparently butch/femme duo perform in a Boston showcase not long ago, and they both stripped down to identical femme underwear. Why not a jock for the butch, and bound breasts or pasties matching her butch attire? Or, why not flip the femme as well – have her strip to butch nethers? Something, please, other than defaulting them both to the endless burlesque finale of the frilly breast reveal.

I know that this is one of Maymay’s big hobbyhorses, and it’s one of mine, too: I want to see men’s bodies sexualized more. I want to see real queer sexuality, and I want to see the variants on straight sexuality, too. It’s rather unsurprising that the burlesque revival is so successful under these circumstances: for the most part, it’s entirely unthreatening to the status quo. It’s likely I’m showing my ignorance, though, of the larger picture: can anyone point me to burlesque that showcases more than heteronormative sexuality as a matter of course, or that showcases male artists without being directed specifically at gay men?

Do TraniWreck and All the King’s Men count as burlesque?

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Fetlife giveaway…

Yes, I admit it…I’m pimping Fetlife’s awesome contest here because every time I do, I get another chance to win. :)

Fetlife, through its generous advertisers, is giving away a whole lot of amazing stuff – including an NJoy 11 (mine!), corsetry, serious bondage gear, and much more.

Check it out!

A reminder: Topologies

I’m writing in two places now.

Go check out Topologies for the viewpoints of me and two other fab dominant women on what it means to be dominant and female.

I just know I’m going to get it for this, but here goes.

The ever-erudite and thought-provoking Orlando has got me thinking again. In an ongoing series of posts, he is examining privilege, entitlement, and the concept of slumming in the context of sexual power dynamics.

I recommend reading the series (though he charmingly and inaccurately calls them “tedious”), but the short version goes something like this. “Susie,” a traditional housewife profiled in the 1970’s conservative Baptist psychology book Sexual Sanity, is having a libido mismatch with her husband that is distracting her to the point of neglecting her duties in the home. The prescription is, of course, giving up the romance novels, soap operas, and masturbation, focusing on her marital duties, reading the Bible, oh, and maybe incidentally the husband should think about paying more attention to her.

Orlando points out that while these are people whose options were limited by their culture, lifestyle, beliefs, economics, and so on, he and Murre enact a kind of reversal of that traditional dynamic deliberately – in essence, slumming in a traditional provider/housewife arrangement. One of the going critiques of BDSM is, in essence, that we are performing a parody of relationships and power dynamics in which people have no choice: Orlando is at the laundromat writing his post while doing the household laundry because it is part of an elaborately negotiated D/s agreement; his neighbor, Rosa, is doing the laundry because that’s what’s expected of her by her husband, and what is simply done.

While these musings were interesting to me, it was really his last post that got me going. In it, he brings up the above point and adds commentary that he has collected from some radical feminist blogs: to wit, Nine Deuce’s tongue in cheek but extreme comment that males into BDSM dominance should kill themselves, and FactCheckMe’s analysis of MtF transexuals as merely men slumming as women.
(Don’t read that post, by the way, unless you want your head to explode. You have been warned.)

Orlando quite rightly points out that the telling people to renounce their privilege is pointless at best, dangerous at worst, if you give them no other options:

Radicals in general (I am not just speaking of radfems)…have focused on creating an elaborate critical literature to uncover the ways that privileged classes abuse their power in concealed ways, including the “inverted” abuse of slumming. Sheila Jeffries, to take a local example, is not simply critical of male dominance and male submission, she is critical of all male sexuality. Usually these sets of critiques are deployed to make people who deny that they are privileged realize that they are. But once someone acknowledges this privilege, the analyses remain underfoot, blocking any sort of coherent suggestion for further behavior.

At least, that’s the best version. In a darker version of things, the condemnation of all options becomes the suggestion. When 9/2 suggests that kinky men should kill themselves, she is sort of joking. When FCM tells MtF transexuals to “ke[ep] your dick and STFU,” she is not joking at all. But both authors arrive at their conclusion by systematically invalidating everything that the target class might do, either as entitlement or slumming or both. Behind 9/2’s suicide hyperbole is a genuine void left by her critiques: there is no course of action left for those men that she considers acceptable, and yet it is clearly important to her that they take her advice.

And this is where my frustration really sets in with the entire discussion – not with Orlando’s continued analysis, which you should totally read. But with what we talk about when we talk about privilege.

I am a white, Western, middle class bisexual cis-female. As such, I benefit from white privilege, cis privilege and class privilege, but not from male or heterosexual privilege. Honestly, I don’t think about that lack very much – not because it’s not important, but because I largely don’t feel my lack of that privilege in my day to day life.

I do frequently feel my own privilege, though: the ways I’m able to spend my days, the people I spend them with, the things I spend money on, hell, the money I even have. My education, my freedom, my ability, in short, to make choices.

In the endless and horrific comments to that made-of-fail post by FactCheckMe, she points out that what makes privilege privilege is the ability make choices.

I want to know exactly what’s wrong with that.

Hear me out. It seems to me that the radical movements that seek the destruction of the patriarchy and the liberation of women, minorities, and other oppressed people are missing the goddamn point, which is this: privilege is good. Power, for that matter, is good. Orlando writes, “We absolutely do not want the most privileged classes of humanity to exercise their power to its full, raw, extent.” And that is where he and I part ways.

You know what I want? I want everyone to be able to exercise their power to its full, raw extent. I don’t think that the way to empower some people is to take power away from others. I agree that pointing out privilege and making people aware of it such that they gain a greater understanding of the positions of oppressed people is an essential step for breaking down the monstrous inequalities that exist.

However. There is, as Orlando points out, nothing you can do once you’ve been made aware of your privilege. All you can do is understand that you can never understand.

So what next? Am I to go through life feeling constantly guilty that I can enjoy power dynamics and physical violence in a consensual way when there are so many people in the world who are abused? Am I, like some radical feminists, to give up penetrative sex entirely, even if I love it, because some women are raped? If part of male privilege, as FactCheckMe says, is being raised to believe that whatever you want or desire, however trivial, you can have it – does that mean I must never follow my own desires, especially not the frivolous ones?

People, this is backwards. The path to addressing privilege and ending oppression is not to remove even more choice from oppressed people. It’s to work to ensure choice for everybody.

Now, it’s facile and privilege-soaked to say such a thing, I know. But seriously? The only way to make sure that the subsistence farmer really wants to be there is to give him the opportunity to go to college and do something else. The only way to know that a woman is truly choosing stay-at-home-mom-hood is to open other possibilities through education and at-work childcare.

Which brings me to my next point, which is about the values we place on various types of life work.

Looking at, say, the subsistence farmer above and saying, oh, look how much better his life would be if he could go to college – that’s class privilege talking. But turning around and telling that college-educated person that he’s not allowed to become a subsistence farmer himself because that’s slumming – that’s ridiculous.

The problem here is partly one of choice, yes: in order for equality to truly exist, the presence of choice is paramount. But it’s also partly a problem of values: as a society, we automatically place a college education, a career in business, law or medicine, and the “earning” of vast amounts of money above learning a trade, raising children, keeping house, telling stories and growing food.

Which is to say: it is deeply problematic to pity a farmer because she never got a college education and became a doctor – even if that person had every opportunity to do so. Seeing someone’s lack of choice in the world and seeking to help correct it is a good thing. Seeing someone’s deliberate choice and deciding it’s wrong because of some misguided idea of wasted potential or perceived insult to those who do not have that choice available – that’s insanity.

Of course, if everyone had privilege, we couldn’t call it “privilege” anymore, as the word implies privilege above someone else. But “power”? There’s an entire philosophy around that. To borrow a phrase from Starhawk, what is desirable in this world is to increase everyone’s power-with rather than power-over. To help others, as best we can, to come into their own power – and express it in the ways that make the most sense to them.

The way to do this is not to take power away from others – power is not a zero-sum game, any more than love is. I submit to you that it is impossible to smash the patriarchy, to destroy white power, or to crush heterosexism. These are systems that are so entrenched, and belong so much to the majority, that they cannot be destroyed using force. But they can be phased out, little by little, if we fight to increase the power and agency of all people. The more people know, the more people are aware of and have access to all the opportunities and possibilities available in the human experience – the fewer people can be recruited to the dark side, brainwashed, or swept under by the tide.

I’m not saying that people won’t make bad choices, or be manipulated, or even – dare we say it – not be smart enough or strong enough to do the right thing. But that’s not the point. If we don’t allow people to choose – if we don’t even give them the benefit of the doubt that they have agency – then we’re totally screwed. If the patriarchy or whatever cultural force that’s like the water the fish are swimming in is so pervasive that we can’t trust human beings to have free will, then it’s going to just be one paternalistic ruling class after another telling us what’s right.

I don’t know about you, but that’s not the world I want to live in, however imperfect my current world is. Here’s what I’m working on: being the change I want to see in the world. I’ll skip the post-patriarchy and take a world where a poor man can choose to be a doctor, an orphan girl can grow up to be president, a university-educated person can choose to become a dairy farmer without ridicule or judgment, people across the gender spectrum can choose to play with power dynamics in intimate relationship to another person if that’s what turns them on, and in short – anyone can pursue their kind of happiness in peace, so long as it harms no one. (And by “harm” I mean “non-consensual harm,” not some goddamn cane marks.)

Maybe I’m just an idealist. Or soaking in privilege. I don’t know. Have at.

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