I was moved by the letter I got this week, and though it’s not topical in terms of kink, it’s a complex question about alternative relationships that might as well be discussed here as anywhere.
I welcome your questions, not only about kink, but about polyamory, bisexuality, and any other relational issues you think I can speak to. I can’t promise to know a ton about specifically gay, lesbian or trans issues, as it’s not the life I lead. But then again, Dan Savage answers straight people’s questions all the time, and most of the time I don’t really think that the issues of gay and lesbian folk in relationship are much different from anyone else’s. (Actually, I bet I have more in common with gays and lesbians in poly relationships than I have with straight or bisexual people in monogamous ones.)
To make a long story short: if you feel, whoever you are, like honoring me with your difficult questions, I’ll do my best to answer them well. And if it comes down to it, I’ll call in a guest expert, just like Dan would do. (Because ya know. Dan’s my hero.)
Dear Deliah:
I enjoy reading your column, and when I stumbled into an alternative relationship dilemma of my own, you were were the person I most wanted to consult.
I have been romantically involved with both members of a legally married couple for nearly four years. Although the husband and wife were together before I entered the arrangement, we let our own situations progress organically (I was never brought in as the hot bi babe, for instance) and consider all four relationships to be “on the same level.” There have been ups and downs, and I have been very concerned about matters like the possibilities of moving in and of having children with my partners.
I recently learned that my female partner miscarried after being pregnant for nearly two months. Although I have been doing my best to be supportive, I still feel hurt and rejected: I didn’t even know they were actively trying to get pregnant, nor that she had conceived. I know it’s good practice to wait a reasonable amount of time before informing others about a pregnancy, but I am supposed to be a part of their family.
I guess it goes without saying that I will need to address my feelings at an appropriate time. Do you have any suggestions for how to approach this topic with my partners? When should I go about bringing it up?
First of all, I’m sorry this happened to you, and very sorry that this happened to your partners. Miscarriages can be devastating, and above all it is important that you not make this too much about you: I have no doubt that they’re already going through a lot of pain.
With that said, it sounds like the three of you do have a deeply intertwined relationship – the fact that you reference “four relationships” shows that you know how many dynamics are at play here – and if it really is as you say it is, it’s probable that you had a right to know, and a right to be upset about it.
There are a few possibilities at play here in terms of what has already occurred. One is that she became pregnant by accident; it happens. Once that happened, she might have felt it best to keep it under wraps until the traditional first-trimester mark; as she miscarried, this was probably a good plan in terms of causing the least amount of pain for others.
The other possibility is more sad, but needs to be taken seriously. You say they were together before you, but that you are all considered equals in the relationship. It is entirely possible that this isn’t really as true as you think it is. Even in triads where the third person is brought into the home, involved in a commitment ceremony, etc. – it takes some time and effort for that person to reach the same level of intimacy and equal-partner status as the married couple already had together. If you aren’t living with them, and the relationship is, as you say, up and down, it’s not likely that you really are an equal partner, not in the way they are to each other. They’ve been together for longer, have chosen to live together, chosen to get married, and finally, chose to get pregnant – without consulting you.
What this may be is a sign that you are not in the relationship(s) you think you are in.
I want to tell you to address your concerns with them directly, but I also want to be extremely sensitive to what they’ve just been through. They have a right to that, regardless of how they handled the information.
Just as they probably would have allowed three months before revealing the information to others, I recommend giving them three months before you bring it up. If one of them brings it up before then, great. But I think it’s going to be really rough to address this question while they’re still in the midst of early grieving.
When you do bring it up, gently is the best way. Have dinner with them both one night. Remind them how much you love them, and how you’ve long wanted to make a family with them. And finally, just ask, in a spirit of curiosity and concern. “Why didn’t you tell me you were pregnant?”
I warn you that the answer you get is going to be pivotal for how your relationship looks going forward. But as you’ve already surmised, it’s something you have to do.
Sorry to give such a downer answer. Let me know how it goes.
I’m out of questions again. Email me your questions, or comment!
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Marina Abramović: pain, presence, art and kink
Posted in Media Commentary, Performance, Philosophizing, tagged identity, kink psychology, links, pain, things we don't talk about, video on June 24, 2010| 1 Comment »
I’ve been pretty silent here for a while. There are reasons, of course; there always are. But I would like to be saying more in this space. It’s just that the things that are happening to me in the kink realm seem increasingly private, and it’s hard to talk about them in a space where so many people know my real name.
Instead I’ll talk about the woman in the Firefox window I’ve had open for a month, Marina Abramović.
I read about her first when Cal pointed her out at the closing of her recent exhibition in New York.
For those who don’t know (because I certainly didn’t), Abramović is a performance artist who began her career in the 1970s. Her work was explicitly about the body: what it can take, and to whom it belongs. She did work that was grueling, painful, and sometimes close to lethal. In what was likely her most famous piece, Rhythm 0, she stood completely passive and silent for six hours near a table full of objects: chains, feathers, olive oil, razor blades, cameras – and a loaded gun. Audience members were invited to do whatever they liked to her, and while at first people were reluctant, by the end a spectator was holding the gun to her neck until another group of audience members stopped it.
Throughout her career, she has demanded that the audience engage with the art directly – and she has demanded endurance and discipline of herself which, reading about her, made me think of the most extreme forms of submission and service. In this latest exhibition, she sits in a chair, completely silent, and stares into the eyes of whomever cares to sit across from her and look. She did not speak for three months. In older works, besides the extremity of Rhythm 0, she played the point of a knife between her splayed fingers as fast as she could, sometimes missing and cutting herself. When she would complete a cycle, she would attempt to repeat it exactly – including the cuts. With her long-term partner, Ulay, she did a piece where he held the string of a bow, with an arrow pointed at her heart; she held the bow itself, and the two of them leaned back, balancing each other. (A video of this and other pieces is here.) She did a piece in which she lay in the midst of a burning five-pointed star, and one in which she lived on platforms raised high above the gallery floor for twelve days without eating or speaking. The only way down was via ladders, the rungs of which were upturned butcher knives.
The dedication and grace with which this great artist has put herself through privation, suffering and humiliation are admirable in a stark way, that moves me as a person interested in the extremes of human experience. It offers, to me, another window into why we do what we do. Sometimes – often, in fact – it is about sex. But not always. Sometimes, it feels to me, we are reaching for something more: a spiritual cleansing, a direct encounter with our own limits, the kind of fear that allows one to walk the line between life and death without falling in, because the guide, your partner, is there. Watch this to get a sense of that peculiar terror, the predicament that you’ve entered into willingly.
She performed these pieces to say a number of things: about the body, about limits, about Communism and the terror under which she grew up. But it still strikes me, the way we still do these things ourselves: the way we subject ourselves to suffering in order to learn something about ourselves and what we can take. To show ourselves that suffering has meaning.
Because we all suffer, each in our particular way, from the most abject to the most privileged among us. Not many of us can claim the kind of suffering Abramović endured under Tito – but perhaps that’s exactly why we put ourselves through what we do.
I don’t believe, as some do, that kinky inclinations are the result of a diseased mind. But I do imagine that most kinky people are in semi-privileged positions – and for those of us who have never known what it’s like to starve, live in war or occupation, or really hurt people for a living, it can be very intriguing to get close to violence, to put yourself through the kind of challenge that humans who live indoors and have TiVo are rarely called to anymore.
Sure, kink is sexy. Sure, power play is hot. But for me, at least, there’s something more to it. It’s about overcoming fear – or about seeing that fear in someone else’s eyes. It’s about seeing how much pain I can take before I break. It’s about finding my limits. It’s about knowing myself – and stretching the definition.
More of Marina here.
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