I spent a delicious part of an afternoon last week (Independence Day, in fact; nice way to celebrate…) being sort-of practice-topped, sort of actually-dominated by a new, switchy lover. He is about to have the opportunity to play with someone he’s had his eye on for five years now, and I always like to help a brother out.
(Insert inappropriate incest fantasy remarks here…)
It turns out that he’s not lacking much at all in the hard skills department; while I have yet to show him how to work my four-foot singletail, I received a very delicious flogging. What I found myself dipping in and out of subspace to do was to give him ideas about what might be called soft skills.
Now naturally, I was working from a place of what I was wanting in the moment, what was going to make me feel more desired, sink me deeper into trance, bring me more under control. And yes, it was a very interesting and fun dance – working from my experience to instruct, while simultaneously letting myself surrender to the experience itself. When we were planning it, I joked that he’d know he was doing well if he could keep me from instructing him.
But some of the things that came up seemed to me to be fairly generalizable for newer tops or doms, especially those playing with new partners. Here’s what I came up with:
1. Keep in control. It doesn’t matter if you’re new to this and aren’t really sure what you’re doing. Faking it – in the confidence sense – can really go far. I’m not saying you should do something that you don’t know how to do – please don’t suspend someone, or cane them, or poke them with needles, if you don’t know what you’re doing! – but rather that assuming an air of control and confidence can go a long way toward making the submissive partner’s experience more fulfilling. In my case, I have a much easier time letting go if I sense that the person topping me has the situation in-hand.
Some ways of doing this, practically speaking: use occasional sudden, sharp movements (push me down, slap me harder than I expect after lulling me with sensuality, grab me by the hair); inspect/appraise me; tell me what to do without too many words; restrict my choices; correct my mistakes with calm harshness.
There are going to be moments of hesitation and doubt, of course. The trick is to have the mini-panic-attack inside your head, then find a way to either change the activity that’s causing you stress, or express your doubt in a dominant way. Which brings me to:
2. Keep in touch. The corollary to the above is that, especially with new partners, checking in frequently is important. Some subs go non-verbal (hello!), and many don’t respond well to questions in the moment, unless the answers are a simple yes or no. Even then, sometimes the sub will be in a space where he doesn’t know what he wants; some subs go into a kind of thrall in scene and get deeply into surrendering their will.
Especially for people like this, keeping in touch is key. I mean this in two ways:
-Physical. Touch them with your hand. Check the temperature of their extremities. Press your body into them, feel their reaction, then pull away again. It all performs the triple function of teasing, cherishing, and checking on them. Watch their breathing. Is it slow and deep and trancey? You’re probably okay. Is it rapid and shallow? This could mean several things – panic, extreme excitement, about to faint. This is where the second way comes in:
-Verbal. It’s sad, but true, that the last thing a sub wants to hear during a scene is “Are you okay?” But maintaining the illusion of dominance, non-consent, or whatever you’re playing with doesn’t mean there’s no way to find out what’s going on if you’re confused. Say you’ve been hitting them for a while, and it’s escalating, but you reach a point where you’re not sure if their reactions mean they’re near their limits and might safeword, or that they’re about to have an orgasm. Stop. Put your hand on them. Make them look you in the eyes, or loop your arm around their chest and growl/whisper in their ear. “You had enough? Or do I need to beat you some more?” There are a thousand variations of this, of course. Generally, you’ll know pretty quickly. If they’re in a “wanting more” space, you might even get some begging out of it. (I love both saying and hearing “please, PLEASE…”) If you’ve hit their limit, this will be a good chance for them to breathe, collect themselves, come back to earth a little, and receive some tenderness. They may still be non-verbal, but if you’re unsure, wait for an answer. Consent is a continuous process.
3. Close the scene clearly. Not knowing whether a scene is over or not, or whether the dominant’s attention is still on me, or whether I did okay, or whatever is one of the most demoralizing things that can happen to a sub. I know I’m not alone in being extra-sensitive when I’m in subspace: everything is magnified, everything the dominant does has meaning, and very small slights can make me feel completely abandoned. All of these skills I’m talking about are about maintaining clarity, but this might be the most important one. When you feel the scene is over, let the sub know. This can be done in many ways. One thing I recognized the other day is that I really like praise and tenderness afterward, especially if I endured something difficult. “Good girl,” “It’s okay, it’s over, you did soooo well,” “You pleased me very much,” and so on. Petting along with this also helps. Some subs aren’t like this at all – some prefer to be abandoned as part of their kink; some want some alone-time to process their feelings, but many will want some kind of aftercare. And regardless of aftercare needs – which you can talk about in advance of the scene – making it clear that the scene is ending is critical. Take the collar off, start untying ropes, tell the sub how well they did, that it’s time to come down, or whatever. The clearer you make it, the easier it is for the sub to return to normal headspace.
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What do you think? How generalizable are these? Can you think of others?
Marina Abramović: pain, presence, art and kink
Posted in Media Commentary, Performance, Philosophizing, tagged identity, kink psychology, links, pain, things we don't talk about, video on June 24, 2010| 1 Comment »
I’ve been pretty silent here for a while. There are reasons, of course; there always are. But I would like to be saying more in this space. It’s just that the things that are happening to me in the kink realm seem increasingly private, and it’s hard to talk about them in a space where so many people know my real name.
Instead I’ll talk about the woman in the Firefox window I’ve had open for a month, Marina Abramović.
I read about her first when Cal pointed her out at the closing of her recent exhibition in New York.
For those who don’t know (because I certainly didn’t), Abramović is a performance artist who began her career in the 1970s. Her work was explicitly about the body: what it can take, and to whom it belongs. She did work that was grueling, painful, and sometimes close to lethal. In what was likely her most famous piece, Rhythm 0, she stood completely passive and silent for six hours near a table full of objects: chains, feathers, olive oil, razor blades, cameras – and a loaded gun. Audience members were invited to do whatever they liked to her, and while at first people were reluctant, by the end a spectator was holding the gun to her neck until another group of audience members stopped it.
Throughout her career, she has demanded that the audience engage with the art directly – and she has demanded endurance and discipline of herself which, reading about her, made me think of the most extreme forms of submission and service. In this latest exhibition, she sits in a chair, completely silent, and stares into the eyes of whomever cares to sit across from her and look. She did not speak for three months. In older works, besides the extremity of Rhythm 0, she played the point of a knife between her splayed fingers as fast as she could, sometimes missing and cutting herself. When she would complete a cycle, she would attempt to repeat it exactly – including the cuts. With her long-term partner, Ulay, she did a piece where he held the string of a bow, with an arrow pointed at her heart; she held the bow itself, and the two of them leaned back, balancing each other. (A video of this and other pieces is here.) She did a piece in which she lay in the midst of a burning five-pointed star, and one in which she lived on platforms raised high above the gallery floor for twelve days without eating or speaking. The only way down was via ladders, the rungs of which were upturned butcher knives.
The dedication and grace with which this great artist has put herself through privation, suffering and humiliation are admirable in a stark way, that moves me as a person interested in the extremes of human experience. It offers, to me, another window into why we do what we do. Sometimes – often, in fact – it is about sex. But not always. Sometimes, it feels to me, we are reaching for something more: a spiritual cleansing, a direct encounter with our own limits, the kind of fear that allows one to walk the line between life and death without falling in, because the guide, your partner, is there. Watch this to get a sense of that peculiar terror, the predicament that you’ve entered into willingly.
She performed these pieces to say a number of things: about the body, about limits, about Communism and the terror under which she grew up. But it still strikes me, the way we still do these things ourselves: the way we subject ourselves to suffering in order to learn something about ourselves and what we can take. To show ourselves that suffering has meaning.
Because we all suffer, each in our particular way, from the most abject to the most privileged among us. Not many of us can claim the kind of suffering Abramović endured under Tito – but perhaps that’s exactly why we put ourselves through what we do.
I don’t believe, as some do, that kinky inclinations are the result of a diseased mind. But I do imagine that most kinky people are in semi-privileged positions – and for those of us who have never known what it’s like to starve, live in war or occupation, or really hurt people for a living, it can be very intriguing to get close to violence, to put yourself through the kind of challenge that humans who live indoors and have TiVo are rarely called to anymore.
Sure, kink is sexy. Sure, power play is hot. But for me, at least, there’s something more to it. It’s about overcoming fear – or about seeing that fear in someone else’s eyes. It’s about seeing how much pain I can take before I break. It’s about finding my limits. It’s about knowing myself – and stretching the definition.
More of Marina here.
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