I had a conversation last night that wound up with me coining the title of this post. I was thinking about collars, and the many things they seem to represent for people. Naturally, a collar tends to be a symbol of ownership, or at least of control-over, whether it is for a circumscribed period or for life. But it is interesting to note the many different experiences that wearing a collar – or similar marker – evokes for people.
I know that for me and some others, a collar can often be a marker for the start and end of a scene. When used this way, a collar puts me into a certain headspace almost immediately: all of the sensations of submission, headspace, and associated arousal go along with the buckling or locking in place of the collar. I was reminded of this by reading back in Devastating Yet’s journal, about leashes and what they did for her boy. I have one lover who goes into a completely non-verbal, spaced out, almost childlike subspace when I collar him; with him I have to be especially careful, because in that state he will do anything I want, even if he would consider it a hard limit ordinarily. For him, and to a lesser extent for me, the removal of the collar denotes the end of the scene, and the ability to return to normal consciousness.
One circle out from that, as I was explaining last night, would seem to be the “weekend collaring,” where the dominant collars the sub for an overnight date, a weekend or several days. This is still under the rubric of “special occasion” collaring, where everything the couple will be doing during the period has to do with fun, if not sex. For instance, one might get collared for a weekend playparty, or kink convention, or vacation getaway. Generally this isn’t done during mundane time, when the two will have to be separated for any real length of time, like a workday. The effect it has, though, tends to be different from the scene-only collaring, in that the headspace cannot be so deep that the sub is unable to function in normal ways like eating or interacting with people outside of scene space. The person I was talking to last night said that for her the collar was a type of safety, a confinement within which she could feel more comfortable and free. I compared it to making art with budgetary or resource constraints; much of the best theatre I’ve seen is made in this way.
The outer circle – or perhaps the inner circle? – in this concentric collar design is, of course, the “permanent” or 24/7 collaring. While the meaning of the collar is strongest in this instance and indicates intense commitment, the mental effect, because it is ongoing and constant, is much less dramatic. Even a submissive who is collared all the time isn’t going to necessarily feel submissive when working the forklift or signing papers at his office. The collar becomes like a wedding ring – a constant reminder of his relationship, and the nature thereof.
This creates an interesting dichotomy, potentially: the more serious the significance of the collar, the less, by necessity, the mental and emotional change wrought by it? Naturally, the mental and emotional change one must undergo when becoming a 24/7 collared slave must be immense, but it cannot be a change that affects their day-to-day functioning in the way that a scene-collaring might.
Just some thoughts of late. What are your experiences with collars?
Advice and Consent: Delilah Wood's Blog 